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Richard Paul LOHSE

(1902 – 1988)

Painter and graphic artist, but also thinker, designer and activist, Lohse shaped the visual culture of post-war Europe.

He saw graphic design as a tool for social change. Rejecting subjective expression, he sought to establish a universal visual language based on mathematical precision and systematic order.
Lohse's works immerse the viewer in rhythm, colour and structure. His principle of equal amounts of colour ensures that each hue appears with the same frequency and balance.

His serial compositions and modular systems eliminated hierarchy, reinforcing his belief in social progress and democratic ideals.

Along with Max Bill, Richard Paul Lohse was the leading figure in Zurich's concrete art movement. These artists met at the Allianz association, founded by Lohse, where they debated Mondrian's neoplasticism and the ideas of Theo van Doesburg. As a result, they created a system based on geometry and its rigour, simple forms and the energy of colour.

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Arbeit und Brot, sonderschau für KriegWirtschaft, Mustermesse Basel

1943

CHF 930.–

100 ans du béton armé, Exposition Zürich

1950

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Juni-Festwochen, Zürich

circa 1958

CHF 730.–

Winterthur Kunstmuseum, Ungegenständliche Malerei in der Schweiz

1958

CHF 1470.–

New

Junifestwochen, Zürich

1958

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Kunsthaus Zürich 1962, Richard P. Lohse - Max Truninger

1962

CHF 970.–

Ausstellung Musikinstrumente, Kunstgewerbemuseum Zürich, 1962

1962

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Richard Paul Lohse, Galerie Renée Ziegler, Vertikalen Portfolio mit 9 Serigrafien, Zürich

1970

CHF 1360.–

New

Lohse, Kunsthalle Bern

1970

CHF 1360.–

New

Lohse, Avant la lettre, contre-signée main

1970

CHF 1530.–

New

Richard Paul Lohse, Sérigraphies multiples, Galerie Média

1976

CHF 970.–

New